{"id":21010,"date":"2018-03-01T17:13:59","date_gmt":"2018-03-01T09:13:59","guid":{"rendered":"http:\/\/pearllam.com\/barrons-armory-show-aims-spark-critical-dialogue\/"},"modified":"2020-08-01T16:20:15","modified_gmt":"2020-08-01T08:20:15","slug":"barrons-armory-show-aims-spark-critical-dialogue","status":"publish","type":"post","link":"https:\/\/www.pearllam.com\/zh-hans\/barrons-armory-show-aims-spark-critical-dialogue\/","title":{"rendered":"BARRON&#8217;S | \u519b\u68b0\u5e93\u827a\u535a\u4f1a\u65e8\u5728\u6fc0\u53d1\u201c\u6279\u5224\u6027\u5bf9\u8bdd\u201d"},"content":{"rendered":"<p>Feb 28, 2018 | by Abby Schultz<a href=\"http:\/\/pearllam.com\/wp-content\/uploads\/2018\/03\/ON-CL152_zhujin_G_20180228125237.jpg\" rel=\"nofollow noopener\" target=\"_blank\"><img decoding=\"async\" class=\"alignnone size-full wp-image-8354\" src=\"http:\/\/pearllam.com\/wp-content\/uploads\/2018\/03\/ON-CL152_zhujin_G_20180228125237.jpg\" alt=\"\" width=\"553\" height=\"369\" srcset=\"https:\/\/www.pearllam.com\/wp-content\/uploads\/2018\/03\/ON-CL152_zhujin_G_20180228125237.jpg 553w, https:\/\/www.pearllam.com\/wp-content\/uploads\/2018\/03\/ON-CL152_zhujin_G_20180228125237-300x200.jpg 300w\" sizes=\"(max-width: 553px) 100vw, 553px\"><\/a><\/p>\n<p><span class=\"wsj-article-caption-content\">Zhu Jinshi, Mistaken Dream of the Lotus Pond, 2014, oil on canvas, triptych, presented by Pearl Lam Galleries, Hong Kong, at The Armory Show.<\/span> <span class=\"wsj-article-credit\"><span class=\"wsj-article-credit-tag\">ILLUSTRATION: <\/span>COURTESY OF PEARL LAM GALLERIES<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>Two weeks before The Armory Show was to open its doors, Nicole Berry, the new executive director of the now 24-year-old New York art fair, appeared unfazed at her upcoming debut. Berry, comfy in sneakers and a long cardigan in her Manhattan office so she could jump on a plane to Spain for an Armory Show event later in the day, eagerly spilled details of the prestigious show, which she took over just over three months ago.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.barrons.com\/articles\/the-armory-show-aims-to-spark-critical-dialogue-1519846017\" rel=\"nofollow noopener\" target=\"_blank\">Read More<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Feb 28, 2018 | by Abby Schultz Zhu &#8230;<\/p>\n","protected":false},"author":19,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[3],"tags":[],"acf":[],"_links":{"self":[{"href":"https:\/\/www.pearllam.com\/zh-hans\/wp-json\/wp\/v2\/posts\/21010"}],"collection":[{"href":"https:\/\/www.pearllam.com\/zh-hans\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.pearllam.com\/zh-hans\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.pearllam.com\/zh-hans\/wp-json\/wp\/v2\/users\/19"}],"replies":[{"embeddable":true,"href":"https:\/\/www.pearllam.com\/zh-hans\/wp-json\/wp\/v2\/comments?post=21010"}],"version-history":[{"count":0,"href":"https:\/\/www.pearllam.com\/zh-hans\/wp-json\/wp\/v2\/posts\/21010\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.pearllam.com\/zh-hans\/wp-json\/wp\/v2\/media?parent=21010"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.pearllam.com\/zh-hans\/wp-json\/wp\/v2\/categories?post=21010"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.pearllam.com\/zh-hans\/wp-json\/wp\/v2\/tags?post=21010"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}